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Monday, 7 May 2012

On the trail of smoke

After my initial attempt at smoke photography, I thought I would venture further. I purchased a pleasant smelling incense for the job as the previous sticks were a bit too "smoky". I made sure the room was well ventilated before carrying out the shooting.





Wednesday, 2 May 2012

Processed smoke

Here's my first attempt at adding colour to my smoke photography. I used Gimp to do this. I must say, enjoyed the whole process.



Tuesday, 1 May 2012

Feeling smokey

I had seen photographs of smoke on Flickr, so I thought I'd try to do some myself. For guidance I followed the excellent video by the photographer Gavin Hoey









Wednesday, 11 April 2012

First triptych: Dream

I was attempting to understand what drives me on a creative and artistic level; to be honest as much as I get my inspiration from what is around, I too am naturally prone to have some sort of inspirational block. I found myself feeling depleted of a buzz. Then this changed with fractal art and Apophysis 7x. I felt a sense of rejuvenation with my ability to create digital art. There was also the added bonus of getting my work exhibited!

Now there was an impetus to create. After creating the digital art (romance series) and some other pieces (pen illustrations) I wanted to delve into painting with acrylics.

Time passed by. The more I sat and thought about the  "how and why?" to do something with acrylic painting the less productive I felt, because  I was trying to over-analyze techniques and creative processes. I was hesitant at first, but decided to overcome this.

A few days ago I let go by taking the first step: make a trip to the art shop and buy some goodies. The rest then came together progressively. It all started with a sketch on the triptych on paper. What I ended by with was something completely quite different.
After finishing the paintings I was feeling an unusual buzz and it feels great! I am looking forward to creating more paintings soon.  The photographs really don't do real justice, but I unveil to you my first triptych: Dream.

Part one

Part two

Part three

Watch this space: I'm working on a website showcasing my works. It will be announced on Twitter and this blog.

Friday, 6 April 2012

Digital art on display

Romance I (Purple) (Copyright Madu Batuwangala 2012)


Romance II (Pink) (Copyright Madu Batuwangala 2012)




Two of my digital art creations are on display! They are being exhibited at the Woodnut Cafe Eltham, London (29, The Court Yard- next to the post office).

These are themed "Romance".

Many thanks to Gary Clarke from SpotonArt for the cafe photography.

Tuesday, 28 February 2012

Digital art - endless possibilities

It was a week ago, I was searching for interesting artists to network as well as discover. I was looking for art with a spiritual element and came across the deviantart website. Here I saw some amazing and unusual artwork and it got me thinking how these pieces of art were created.
Then as I was browsing through I saw a mention of "Apophysis 7x" a software that creates fractals. 

I started noodling around and within three days created a few interesting pieces. Below are the 3 best so far, but I know with much more concentration I could create some more interesting pieces of work.

With this software (FREE by the way) there are endless possibilities to what can be created.
 
Romance

Colour power

Phoenix flower


Sunday, 12 February 2012

Hard, hectic, hot and heated: interview with a Trinidadian mithai maker.

While on vacation in Trinidad, the southernmost Island in the Caribbean I had the opportunity to partake in some delectable Indian sweets. They were not just great tasting, but good to photograph. I share with you some questions I presented to the owner of “NKs Indian Delicacies”, Bobby Maharaj.


For those who are not aware, Mithai is the hindi word given to Indian sweetmeats. No function, be it birthdays, weddings, cultural and religious festivities would be complete without a variety of these tantalizing treats. They are made using milk (fresh, dried and condensed forms), sugar, spices (e.g. cardamom), nuts and clarified butter (ghee).


- Where did NKs Indian Delicacies begin? Tell me a little bit of history. How did you become a confectioner of Indian sweets.


The art of Indian sweet making was brought to Trinidad by my fore parents; originally from India. I became a confectioner of Indian Delicacies, as part of the family trade. It is something I knew from birth. I grew up helping out at home, from washing wares and helping out in the mithai making process.



During the early stages of my adult life I had a 9-5 job in an office based environment. Over time I realised that I did not like to work under a boss; so I decided to shift to the family trade.

NKs Indian Delicacies began about 20+ years ago; it was started by my wife Neela and I. It is named after our wonderful sons Neil and Kaveeir. 
 
- I know there are a variety of different Indian sweets in the UK and India, but striking difference here is there is a smaller selection. Is there any particular reason why the sweets you produce are different in Trinidad to those seen in India or perhaps UK? Can you tell me the names of those on offer? 


I was told that there are 36 different types of sweets globally according to where Indian Immigrants live.

You have to understand that Indians came to this country under indentureship after slavery ended. Both India and Trinidad were colonies of Great Britain. The first arrival of Indenture labourers was on the 30th May 1845 aboard the Fath Al Razak (Victory of Allah the Provider). Their contract entailed working in the plantations (sugar, coconut, coffee and cocoa) for a period of 5 years with a return passage back to India. However some of the labourers were given the option of land in exchange for their return passage.

The indenture labourers brought with them, their food, culture and religion. The sweets that are found in Trinidad differ because they were dependent on what was readily available as such they adapted the recipes accordingly.

One such example is the Trinidad version of gulab jamoon. The Indian version of this sweet is soaked in sugary syrup, while the Trinidadian version is tossed in boiling sugar syrup and allowed to cool; thus giving a crystallized sugar effect.


What you have sampled and photographed are the popular varieties that are made here at NKs. These include (left to right); milk barfi (with sprinkles), jelebi, laddoo, gulab jamoon and the house speciality, cherry coconut barfi. 

All photos are copyrighted and are not to be re-produced in any way whatsoever.


There are of more varieties, and are made to order.



- Is the process of making sweets very labour intensive? What is the day like for you when making sweets?


I’ll sum it up in four words. Hard, hectic, hot and heated. That is how it is. It is very gratifying to know that our customers are satisfied and happy with the quality of our products. The secret of good Indian sweets is the art of making and having a special sweet hand.


- I'm sure there are those interested in tasting your creations. How does the business work? Do you work on a retail or wholesale basis?


Here at NKs, we sell at both retail and wholesale locally and internationally.